Painting of a building with large black letters spelling "SONAR" on a white background, set against a landscape with a brown and beige ground and a light teal sky.
An painting of a historic building with ornate architecture and street lamps, viewed in daylight with people walking on the street. Cut in pieces and rebuild while losing a lot of information.
A painting with horizontal and vertical brush strokes in shades of beige, peach, dark blue, and black, creating a grid-like pattern and a silhouette of a person passing by.

The Bilbao series began with a visit to the city in October 2025. What stayed was not the architecture, but the hum of people going about their lives together.

View this series
Painting of three people, crouching and kneeling, engaged in an activity, set against a beach.
Thee children playing an ancient game on the beach.
Children playing an ancient game on the beach.

Beach Play is a series of seven paintings made from a single scene: three boys on a beach in Crete, June 2025. An ancient game, played everywhere, by everyone, always.

View this series
Greetings from Saint-Raphaël — 2026 Collage of acrylics on paper, on a postcard 10.5 x 14.8 cm
Greetings from Les Adrets — 2026 Collage of acrylics on paper, on a postcard 10.5 x 14.8 cm
Greetings from Kufstein — 2026 Collage of acrylics on paper, on a postcard 10.5 x 14.8 cm

Greetings from ... is about what is lost in transmission, about the gap between the experience and the memory. And also about making amends for a small, persistent omission.

View this series
Painting of an airport scene with an airplane with the word "I SKY" written on it, and a person holding a clipboard in the foreground.
A painting of a beach scene with a pier, water, and sky in muted colors.
Painting of an elderly person with white hair in a striped shirt standing in front of a blue cabinet, reaching toward a potted plant on top, in a room with pinkish walls.

Notes from Crete is a painted travel journal made during a family holiday in the summer of 2025. Colour and warmth are present, but so are the contradictions: the abandoned buildings, the empty villages, the gap between the postcard and the place.

View this series